This article unpacks my experience presenting a workshop called “Athletes of Emotion: Rasaboxes in Drama Therapy” at the North American Drama Therapy Association’s conference in Montreal, 2007. In ways, this article feels like a confession because I convey the darker sides that preceded the glory of the “gift” that follows. I hope that readers might identify with me and perhaps be moved to present something yourself at a conference, and especially at the NADTA.
Dramascope 28(3)